Dirk Johnson's posterous

 

Montgomery Woods and Gesar

Montgomery Woods was a perfect place to read Crossings on a Bridge of Light: The Songs and Deeds of Gesar, King of Ling,  Douglas J. Penick's rendition of a portion of the oral Tibetan epic Gesar, which has yet to see its Pisistratus though it has so many interconnections with the Homeric epics. I could feel Gesar in the woods with me. He often walked by just out of view, caught in the corner of my eye.

 

If you stop and stay in one spot In Montgomery Woods on a nice day, you'll meet just about everyone who visits the reserve because the trail is a loop. If you also sit and read, nearly everyone will ask you what you're reading. But if you're reading the Gesar epic and someone who asks has actually heard of Gesar, you will be as surprised as I was.

 

Here's how my spot sounded:

 

(download)

And here is what it looked like:

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Posted from 0°0'N, 0°0'E

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Re-done: Salmon Swimming up from the Smith River, Jedediah Smith Redwoods (Videos at the end)

I walked along the Stout Memorial Grove loop trail, starting to the west. I'd seen the map in this brochure early the previous day. The trail was beautifully marked, but I found the signs ambiguous. A trail wound off parallel to the Smith River about 50 feet below and eighty yards away. I walked fast on the hilly and windy duff-thick trail and caught up to a couple with a soon-to-be pubescent boy and a newly pubescent girl. Around a few bends in a distance thick with redwoods and ferns, it looked like they had a goat walking with them It was a tall white dog, medium hair, maybe an Akbash. Just as they stopped and looked down from a bridge over a briskly flowing steep creek whose name I've not been able to figure, I caught up and passed, greeting them and patting the dog who faced and watched me approach and stopped only a moment to look into the creek.

 

After several bends and hills the path went ambiguously forward along the ridge but seemed more clearly to turn sharply downhill and disappear in a thicket. A sudden decision to change direction caused me to skid feet first on my side down the embankment like sliding into second base only to stop when my right shin hit a protruding, rounded but harder than a base, chunk of granite.

 

This convinced me to return. When I got to the bridge, the family was still there, watching the water. As I looked, salmon resolved in the water. I took the videos on my Droid. They're in order of time vertically below. I changed location for the second video, moving from being close to the right bank to being close to the left bank.

 

For Context

The bridge from down stream. Both videos are taken from the bridge facing the same direction. One of the videos has a shot upstream from this bridge rather than into the water where the salmon are visible.

 

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This is taken from the same spot as the one above but facing the other direction, down stream, toward the Smith River from which the salmon swam.

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For context, though at a different point than the confluence of the above creek, the Smith River.

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The Salmon Videos

In the videos there are at least three salmon. One is colored much like the water and struggles up the middle of the stream. This one can be difficult to see, was often difficult for me while I stood there (though it's the only one that jumps -- and it jumps several times), the other two are on the right edge, with one of them making moves to go farther upstream but always returning to the other. They had come so far through rocks and waterfalls against such a strong current, and they were continuing to go farther though exhausted and overwhelmed.

 

(download)

 

(download)

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The Ancestral Home

 

A last remains of sunset dimly burned

O'er the far forests, like a torch-flame turned

By the wind back upon its bearer's hand

In one long flare of crimson...

~Robert Browning, Sordello

 

“The river here is popular,” one couple

From Redwood Valley one from farther north

 

All in trunks with their young kids

Or two piece bathing suits, friendly

Generous people, and their friend, apart

Who just moved here from Texas

"We all grew up here. We've been

Coming here since we were kids.

 

How long have you lived here?"

Since you were kids. "Where

Are you from?" Nowhere.

Puzzled looks.

Moved every year growing up.

"So you don't have

A home town?" 17 years in

New York City made it feel like home...

 

"I just got back after being away

For 16 years.” How do you like Dallas?

“It’s ok, but it wasn’t home.

 

This is home.

Home is where you can go back

And pick up right where you left off."

 

I strain to imagine such a thing.

My roots grow under fault lines

My mind embraces the sky

And the hawk and the vulture,

The eagle and the crow.

I've been rooted here, hair

Blew in the wind, rain

Sluiced off me for a thousand

Years, summer baked me hard

No living thing remembers

My birth but even so

I’m new, so very new

to this land.

 

Filed under  //   poems poetry  

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One Minute in a Redwood Grove (video)

(download)

--
Sent from my Droid with K-9.

Comments [3]

Listen to the redwoods.

(download)

Posted using HiFiCorder on Android
http://hificorder.com

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Reading "The Women at Point Sur"

 

The harvest moon no longer equinoctial floods deep water sky

while an announcer on PA not far but the other side of town

talks bulls and riders.

Earlier today I climbed into a locomotive and caboose with a woman

and her four year old son telling them

About steam across the street from the rodeo. The boy loved the

metalic wonderland, the woman wanted history

To teach him later, and we corrected one error.

 

From this to step deep into Jeffers

Feels like Raskolnikov intersected with Shelley

Shot through with Nietzsche. But the thing is

You're there, right there, in the middle of it, with your own rebellions

and conformities and lusts and fears

And shattered mind grasping at concepts for answers. Terror, Knowing them all

inadequate while grasping most at one - that you are different, that you lead them.

From that one construct you must speculate in order to preserve a theory of

yourself that you can

Defend to yourself, the monstrosities of action you must fulfill

To consolidate your sense of meself from the notself

Of what you perceive in everyonething else.

But this drunken kung fu turned against its own Christian

heritage splits Milton's Satan into fragments

Recomposed into Blakean bombast that cascades

In thunder and lightning through rocks, mountains, and rivers into an ocean.

Predatory birds, horses, sex and perversion, adultery and frigidity,

murder and suicide played in full view

Of a lighthouse and forests of redwood and oak under a sky wild with black

clouds streaking over the mountains

Which hardly take notice much less censor and judge.

 

 

Filed under  //   poetry poems  

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Entertainment

 

The queen desires you to use some gentle
Entertainment to Laertes before you fall to play.

 

The basic tune is a long low pitch

Then a quick high stressed

Note and pedal of equal sound and

Silence pitched between

Intervals bracketed by triplets

While the drone goes in quarters

Tune and tone at slightly

Different tempos.

 

So much to hear.

Ever changing music

With sudden closing door

Or V8 two-ton starting

And its own pedal or

A mountain bike glides by

In the light a clouded moon

Casts past the edge of a streetlight,

And so forth, a voice, a laugh

Teenagers walking to a party --

Bountiful entertainment.

 

Yet the end looms ever closer.

My body slowly crumbles.

My mind moves more

Haltingly from point to point.

The memory of one or another

Place or interaction

Spreads in dream

Fragments of a nap.

 

Such an ending is expected

If one lives long enough.

But what of value have you done?

Nothing comes to mind.

Anyway, what might value be,

In my world of self

Judgment?

 

I Imagine

Heights occupied by others.

 

Would I feel my life

Successful had I written

Illiad or Cantos?

Likely not. The flaws

Would gall more than triumphs

Soothe.

 

And yet, most days

I move and speak as though

The past were all fulfilled,

The future never coming.

Filed under  //   poems poetry  

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A Dance Alone

 

Between the fantasy and the perception

A space lies infinitesimally vast

And the memory of even

Interperceived

Events stretches shrinks and

Distorts vis-à-vis an objective

Viewpoint held by no one

At all. When such memory

Is repackaged with at best

Approximate language spoken

To another who writes this

From a memory of long ago

Fiction results but a mistake

Would be to regard it as false.

 

The apex was the middle of the

Cascades between Wenatchee

And Seattle, on a flatcar

The kind with ends sidetracked

He said to the older guy

Who was maybe 22

To whom Rhosonny had lied

About already knowing how to ride

The rails not stating but implying

That he'd riden freight before

Which he had but not as a hobo

Yet justly confident from within

His ignorance that the railroad men

Would like him led his elder to the

Freight yard and they got on this train

Now stopped in the middle of

Mountains to which they rode

So ecstatic they danced the whole

Way to the rhythms of the train.

 

"I wish I had a cigarette"

Then ran to the end of the car to

Lean out and watch the train for which

They'd sidetracked go nearly

Empty down the mountain

A figure leaned out from the

Train clatter a voice broke through

'Tobacco" as he whooshed by

And a full pouch of Bugler

With papers landed on the floor

Of their car for the rest

Of the ride through the North Cascades

Neither was sure whether he

Or the stars themselves danced.

 

But the deeper one came

After they'd parted

(Forever?) and he'd

Drunk a case of beer with

Three Native American Korean

War vets who lived on the docs

And the four of them passed

Out on a pier in the afternoon sun

Years later she said

 

"I can always tell when you're in Seattle because whenever the weather is nice you're here and whenever you're here the weather is nice"

 

Since he'd never seen rain

In Seattle though there fairly often

After sleeping it off he got up

To walk to the freight yard

The three stood said they'd ride

With him. At the next pier stands

An enormous man, only about 8 inches

Taller than 6 foot 2 Rhosonny

But as broad as two men

No visible fat a black suit

And pony tail. "My brother"

Arm outstretched to the Puget Sound

"Died there last year"

His eyes and Rhosonny's eye

Met and having met held

In silence through more than one

Ship's blast when a fielder's glove

Sized hand gripped his shoulder

"You travel alone. Like me

You travel alone."

 

 

The other three Natives

Turned on heel and marched off

The hand remained fixed

Eyes locked and time was

A plaything of there.

 

Filed under  //   poems poetry  

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Kunthia and Rhosonny

 

Her upper east side accent, regal bearing, direct gaze,

Rich black clothes and hair, dark eyes, pale skin sophistication

Intent on German culture, professed sexual freedom,

New York street junkie credentials, having kicked the needle,

And her habit of brushing her breasts lightly against him

When they met caused him to say, "I want to make love with you."

Remaining very cool she cood, "Why, thank you. I'd like that --

In fact, so much I'd like to get to know you better first."

 

She was in love with a man who was in love with a man

Who was in love with Rhosonny, who wanted without love.

She intimidated him with her selfpossessiveness,

Broader sexual experience, and age. She was his

Ever closer acquaintance whom he didn't trust, his friend

In a superficial way, with whom he spent more and more

Time, mostly in coffee shops or walking around the East

Village but also in his tiny apartment. Not once

Did they hold hands, hug, touch, or kiss though they sat silently

Together sometimes and looked at each other. He only

Repeated his offer three times, weeks apart. She answered,

"Oh, we will. But not today." He lost interest in her sexually

But enjoyed her electric company, intensity

Shared, which others commented on frequently, "Kunthia

And you have a strange thing for each other" or "I'm afraid

Of her. You'd better watch out with her" or "she really

Has a thing for you" or "Are you in love with Kunthia?"

 

Aside from a few gay men who liked rough trade, Rhosonny

Knew no-one in New York City. Kunthia was the first

Woman he got to know there though he'd had sex with others.

They were drinking coffee together in a bagel shop.

"I want to take you up on your offer," voice a cool breeze

She focused both eyes on his one, "come to my apartment."

They walked in silence up 7th Avenue to her place.

 

In silence they went in, not touching.

She indicated a couch.

"I need a shower"

And disappeared.

Water ran.

She returned wrapped in a towel.

"Give me a few more minutes."

She walked to the kitchen.

She picked up a bottle of water.

She stood behind him where he sat on the couch.

She pressed the bottle of water against his chest.

She rubbed her cheek against his neck.

She kissed his cheek and whispered in his ear,

"I'll be back when my hair's dry,"

And left.

 

Rhosonny began to weep

Uncontrollably.

Was it the touch?

Was it the kiss?

Was it the water?

It had been so long

Since someone

Had been so kind.

 

Filed under  //   poems poetry  

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Sumer Is Icumen In: Two voices, One Guitar

I've been playing with what may be simultaneously the oldest example of western secular music and of canon (http://bit.ly/bDUmry) counterpoint: the lovely "Sumer Is Icumen In" (Wiki overview: http://en.wikipedia.org/wiki/Sumer_Is_Icumen_In Choral performance: http://tinysong.com/lcUH).  I write "playing with" rather than "playing" because the time I've spent playing it in various positions (initial "G" at: 4th string 5th fret; 3rd String, 12th fret; 1st string, 15th fret) with a variety of fingerings and positions deriving from each starting point, has only been preparatory to setting the piece in a number of ways. The first result is a simple round with both voices in a position with the initial "G" on the 3rd String, 12th fret. The fingering for the straight melody isn't my favored fingering for the melody in that position, but the fingering prepares for the round to be played on a single guitar in that position.

 

Here's how I've written it. 

 

Click here to download:
Sumer_is_icumen_in_3.pdf (202 KB)
(download)

 

My preference is to play the piece rubato, especially since the original (see the earliest extant manuscript in the wiki link above) is not timed by measures or time signature (or key signature, for that matter). But for simplicity in the use of current day mainstream music engraving software, I've forced the time into bars, using 12/8 time for what is largely an alternation between eighth and quarter notes -- though more properly, between long and short notes. Just noticed that the Wiki link has a 12/8 transcription. It might have saved me some time and effort to look at that first, but I'm happy slogging around in the trenches. 

 

Here is an MP3 from a wav produced by the software GuitarPro from the music as written. When I've learned this piece with two voices, I'll see about adding a third and/or a pedal. But, for the time being, this is sufficient challenge for me: 

 

(download)

 

At some point in the future, time permitting, besides adding another voice for solo guitar, I'll also transcribe an arrangement for 5 guitars. Two of the guitars will play pedals and each of the other three will play in a different position. GuitarPro will probably do a pretty good job of executing the arrangement for an idea of how it would sound. I can already hear it, but that's not the same as transmitting the idea...

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